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SUNARYO | Tambak Putih

SUNARYO | Tambak Putih

Item Description:

83 x 83 cm
mixed media on canvas
signed and dated 94 lower right

蘇納里奧《白池塘》1994 年作 綜和媒材 畫布

Literature:

Known to have explored the materiality of art, Sunaryo first experimented with more traditional subject matters after graduating from ITB and later moved on to a more symbolic approach to colours. Tambak Putih consists of patches of thick white impasto, the underlying foreign texture in the middle ground catches the viewers’ attention. Sunaryo’s oeuvre emanates from the symbol of colour; he once said that “a lot of this colours come from my inner sense of the moment’s impressions, such as … red as the symbol of the metawati presidency period; white symbolises the more modern society where transparency is needed.” (Sunaryo in The New York Times, 21 January 2008). We can grasp briefly that Tambak Putih, which in literal translated to ‘white pond’, implies a poetic reference to society and governance where more transparency is needed – a concern that proved to be closely relevant even today.


以探索藝術的真諦為宗旨的蘇納里奧在從ITB畢業後,先是嘗試了更傳統的主題,後來轉向更具象徵性的色彩方法。《白色池塘》由厚厚的白色厚片組成,中間層的下層異質紋理吸引了觀眾的注意力。 蘇納里奧的作品源於色彩的象徵;他曾經說過“很多這種顏色來自於我對當下印象的內在感覺,比如......紅色作為複分派總統任期的象徵;白色象徵著需要透明度的現代社會。”(紐約時報,蘇納里奧,2008年1月21日)。我們可以簡單地掌握一下,白色池塘,其字面翻譯為潔白的社會個體,意味著對需要更多透明度的社會和治理的詩意提及 - 即使在今天也證明是密切相關的關注。

About The Artist:

SUNARYO (b.1943, Indonesian) 蘇納里奧

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