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ARIE SMIT | At Day Break, Villagers Go to Market or Field

ARIE SMIT | At Day Break, Villagers Go to Market or Field

Item Description:

45,5 x 50,5 cm
acrylic on canvas
signed and dated 95 lower right

艾利·斯密特《在休息日,村民們去市場或田地》1995 年作 亞克力 畫布

Provenance:

Provenance
Acquired from Edwin Gallery , 1997
Literature
'Vibrant' Arie Smit, Hexart Publishing, Jakarta, 2012, p. 4.233

Literature:

In the 1990s, his works evolved to convey elements of Fauvism as they become more stylized with recurring subject matters simplified to its bare essence in order to draw focus on colour and composition. His signature technique of ‘broken colours’ encompassing of controlled dashes reminisces that of the pointillist technique by Georges Seurat and Paul Signac. At Day Break, Villagers go to the Market or Field exemplifies the artist’s brilliant interpretation of light as seen in the striking spectrum of magenta and orange. Flashes of orange raise the morning sky and village grounds with rhythmic energy, indicative of the enchanting golden hues at the break of day. The work bursts with exuberant tranquillity, marking Smit as a true master of colour and composition. Till this day, the legacy of Arie Smit persists through his exploration of colour which encapsulates his love and dedication to the Balinese landscape and its people.


在1990年代的作品演變,傳達更像野獸派的元素,更加風格化,反復出現的主題簡化為其基本的本質,以便將注意力集中在色彩和構圖上。他的“破碎色彩”標誌性技術包含了受控制的破折號,讓人想起Georges Seurat和Paul Signac的點畫技巧。在白天休息時,村民們去市場或者場地,體現了藝術家對光線的精彩詮釋,就像在洋紅色和橙色的驚人光譜中所看到的那樣。橙色的閃爍使得早晨的天空和村莊的場地以節奏的能量升起,表明在白天休息時迷人的金色色調。工作充滿了寧靜,標誌著斯密特成為真正的色彩和構圖大師。直到今天,艾利·斯密特的作品仍然貫穿於他對色彩的探索,這種色彩將他對巴厘島風景和人民的愛和奉獻包含在內。

About The Artist:

ARIE SMIT (1916-2016, Indo-Dutch) 艾利·斯密特

AUCTION
Rp 175000000.00 ( Sold Price )
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