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AFFANDI | Landscape

AFFANDI | Landscape

Item Description:

100 x 114 cm
oil on canvas, framed
signed and dated 1963 lower right

阿凡迪《風景》1963 年作 油彩 畫布
款識:A’1963(左下)

Literature:

Sardjana Sumichan, Affandi Volume III, Bina Lestari Budaya Foundation and Singapore Art Museum, Indonesia, 2007, page 114, colourplate
出版:Sardjana Sumichan,《阿凡迪》第三册,Bina Lestari Budaya基金會和新加坡美術館,印度尼西亞,2007年出版,第114頁,彩色圖

Affandi was an entirely self-taught painter, and despite not having learnt painting techniques the orthodox way, it could not hamper the enormous talent within.Affandi, along with other great Indonesian artists, such as Hendra Gunawan, moved to establish a society of Indonesian painters, known as the Gabungan Pelukis Indonesia (GPI, Union of Indonesian Painters). Subsequently, Affandi received a scholarship from the Indian government to study in India, and went on to Europe to hold solo exhibitions. Chiefly among them are the Sao Paulo Biennale in Brazil in 1953 and the Venice Biennale in Italy in 1964.
阿凡迪是一位自學成才的藝術家,雖然從沒上过正式的繪畫班,但是他自身的藝術天賦很幸運的沒被埋藏。他和其他印尼大畫家如亭德拉.古那彎一起建立一個属于印尼畫家的協會,称為印度尼西亞畫家聯盟Gabungan Pelukis Indonesia。后來,阿凡迪獲得印度政府給予的獎學金,前往印度留學后,又輾轉到了歐洲舉辦了許多個人畫展。他參與過的重要畫展包括了在巴西1953年舉辦的圣保罗双年展,和在意大利1964年舉辦的威尼斯双年展。

Emotion drives the soul of Affandi’s work. His paintings were often created within a short amount of time of 1 to 2 hours, which quickly left him exhausted upon completion. His technique was highly spontaneous, composed by directly squeezing the paint from the tube to the canvas, and mixing colors directly with his fingers.The painting becomes complete the moment he was divested of all inspiration; after which he never touches the same painting again. The sheer intensity of the painting process ensures that each piece is an enduring emotional legacy of the artist.
阿凡迪的情感是他作品的靈魂。他說,阿凡迪的畫都是在短短一兩個小時之内完成的,往往在這之後藝術家是筋疲力盡的。作畫技巧是非常自發性的,手代替刷子直接地將顏料塗抹在畫布上,用手指鋪展賦彩出理想的顏色。以這樣的方式,直接通過手傳達了自己的情感,一張畫也在波濤洶湧的靈感表現下一氣呵成,阿凡迪再也不會在同一張畫上做更改。這樣熱忱的創作過程賦予了藝術家每一幅作品最誠實的情感寄託。

Landscape is an example of Affandi’s high energy artistic process. Using a combination of flowy and spiraling strokes, the artist brings to the fore the nascent vitality and presence of the land. Painted in the 1960s, the period saw Affandi making many trips to Bali –this painting is thus Affandi’s endeavor to express the qualities that lie beneath the physical beauty of the land, in a time when other Mooi indie painters romanticized the Indonesian landscape.
《風景》是阿凡迪超高集中力創作下的一個例子。運用流暢和迴旋式的筆觸,將土地的生命力和茂盛的繁殖力展現出來。作品創作於60年代,是阿凡迪多次前往巴厘島的一段時期-這幅畫是藝術家努力表達的當地地理國土自然之源的精粹,於「美麗的東印度」(Mooi Indie)藝術家不同,展現了他自己眼前所看到的大自然的精闢詮釋。

About The Artist:

AFFANDI (1907-1990, Indonesian) 阿凡迪

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SG$ 100000.00 ( Sold Price )
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AFFANDI | Landscape

Listed price: $95,000.00
 

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